The set is a huge hole in the middle of slabs of laminated plaster, as if a gigantic iron ball had fallen there. By building the scenic space with the same material used in thousands of Portuguese houses, as a way to start deconstructing, Cláudia Dias and Igor Gandra draw a direct connection to everything that is swept under the western rug. Even though the air bombings carried out by European military forces can be easily seen today on the internet and on TV, the connection between our homes and the craters opened by missiles on the other side of the world is not that visible. That black hole alludes to that cause and effect relationship yet to be clarified. It is not just about showing the responsibility of European social democracies in the massacres that are taking place today in the rest of the world. The black eye in the middle of the ground is a bad sign that reveals to us what is still to be done.