This is a training workshop in the area of Improvisation and Composition that uses the Composition in Real Time (CTR), created by João Fiadeiro in the context of contemporary dance, which, going beyond the boundaries of the performing arts, has become a method of research into modes of encounter. The purpose of its use is always the collective and the other.

In this sense, despite being applied in the context of art, that is, in an aesthetic context, its use is ethical. It aims to help make assertive decisions, that is, appropriate to the context, in the sense of the survival of collective action. Applied in the artistic context, CTR is still a working tool to deal with the unknown, with what is to come, since in this practice there is no predefined script. In this sense, it can be understood as an improvisation technique, although it goes far beyond this categorization.

This technique has a structured operating mode based on a spatial, temporal and functional framework and is supported by guiding principles.